But as abrasive marketing campaigns started turning people off and 100 employees accused BrewDog of being run by a "culture of fear," the punk facade fell away. BrewDog, led by CEO James Watt, was founded in 2007 and went out of its way to make sure everyone knew it was the enfant terrible of British brewing: anti-corporate, anti-establishment, and anti-snootiness.
#Bbc panorama video game episode full
You've probably heard rumblings about how self-styled 'punks' of the beer world BrewDog weren't exactly shining examples of corporate bonhomie and employee harmony, but the full story is quite extraordinary. You might want to set your Elvis Juice to the side for a second here. Well-researched and in-depth, but always suffused with its hosts' breezy charm, this is an accessible and insightful way into the complex network of nations which make up 21st century Africa.
Especially in the case of the Second Summer of Love, as blearily misremembered and idealised an era as there is, it feels quite apt.Įach time, hosts Chinny and Astrid dig into a historic moment from a different African nation, from South Sudan's independence in 2011 and the civil wars which preceded it, to Kenyan environmentalist champion Wangari Maathai's Nobel Prize win in 2004.
A new second run tells the story of Klaus Fuchs, a Soviet spy who tried to steal British nuclear secrets.Īn interesting and different take on history podcasting, this: half the episodes are relatively straight archive-led explorations of the late Eighties and how drugs helped rave culture leap from the underground to become the definitive futureshock youth movement, inspiring both utter joy and moral panic on the way the other half sees actors like David Morrissey, Ade Edmondson and Meera Syal in monologues as ex-ravers reminiscing, dealers, DJs, and undercover cops. Presenter Emily Strasser is the granddaughter of another scientist who worked on the Manhattan Project, and her telling of the story is both personal and coloured with just enough soundscaping to add life without turning into hacky historical dramatising. Leo Szilard is not one of the most famous of the bomb’s inventors, but he was the scientist who, sat at traffic lights on Southampton Row in Holborn, first realised that an uncontrolled nuclear chain reaction could unleash an untold amount of energy. Seventy-five years on from the bombings of Hiroshima and Nagasaki, we’re still living in the age ushered in by the invention of the atom bomb. The parallels between McVeigh's toxic, home-brewed terrorism and the American far-right today were thunderingly ominous even before the storming of the Capitol building in early January now, they're immediate and frightening, and host Leah Sottile draws them out neatly. Two Minutes Past Nine retells the story, but this is not just a history podcast. He killed 168 people and injured 680 more. On 19 April 1995, 26-year-old Timothy McVeigh drove a truck loaded with two tons of homemade explosives into downtown Oklahoma City, and detonated it outside the Alfred P Murrah federal building. Sport / History / Culture / Britain Now / General ChatĪFP // Getty Images Two Minutes Past Nine And it's got some of the internet's finest podcasting talent on its books. It's not perfect, but it's about as perfect as a gigantic, publicly owned corporation of nearly a century's standing can expect to be in 2020. Dead Ringers continues unabated, and will surely outlast us all.
Venerable old institutions have been given fresh impetus, and another lease on life. It's given new voices the space and freedom to do their thing. In the podcast age, it's gone from strength to strength. (For the sake of argument, we're willing to let BBC3 sitcom Coming Of Age slide.) The BBC does literally everything, and it generally does it really well.
If it's not being hammered by the right for being full of wet lefty student types, it's taking a booting from the left for giving time to climate-denying, Brexit-loving right-wingers.īut! Come on. Much loved and much moaned about, talking about it is the national pastime.
0 kommentar(er)
